Colour


We use a simple palette with a Primary Steel and Primary Teal. The Primary Steel is reserved for headings. The Primary Blue is used for colour blocks and, in the case of the user interface of our products, to indicate links and buttons. We use a secondary palette containing a mixture of greys, used for body copy, dividers and other visual elements.

Having a correct palette in a user interface is key to a positive user experience. We closely follow Google’s colour theory from their material guidelines; ‘Colour in Material Design is inspired by bold hues juxtaposed with muted environments, deep shadows, and bright highlights.’

We take the Primary Teal and define this as our ‘500’ colour. This forms the foundations of the rest of our palette, comprised of lighter, less saturated and darker, more saturated shades of the ‘500’ colour to be used as accents colours.

We use a simple combination of white and grey for copy and visual elements like dividers and background colours. The ultimate objective of the palette used is to have an intuitive, clean, strong UI. Overtime, as we get feedback the palette will be updated and refined. We feel the current palette gives us a strong starting point.


Primary Colour


We take our Primary Teal as a base and define this as our ‘500’ colour. We then keep the same hue of 182° and alter the saturation and brightness to create our shades that forms the basis of our primary palette.

Base 500 colour

rgb(0, 187, 194)

#00BBC2

50

rgb(224, 247, 248)

#E0F7F8

100

rgb(179, 235, 237)

#B3EBED

200

rgb(128, 221, 225)

#80DDE1

300

rgb(77, 207, 212)

#4DCFD4

400

rgb(38, 197, 203)

#26C5CB

500

rgb(0, 187, 194)

#00BBC2

600

rgb(0, 181, 188)

#00B5BC

700

rgb(0, 172, 180)

#00ACB4

800

rgb(0, 133, 140)

#00858C

900

rgb(0, 99, 105)

#006369


In addition to the primary teal, we use our Primary Steel as a primary colour when desinging a UI. Where our Primary Teal is typically reserved for links and fill colours for design elements, the Primary teal is used for heading text, and, for the case of the studio, the navigation bar. It should never be used as a button colour nor to indicate a link. Three shades are accepted, where the 500 should be used most often.

Base Alt 500 colour

rgb(22, 34, 42)

#16222A

Alt 300

rgb(92, 100, 106)

#5C646A

Alt 500

rgb(22, 34, 42)

#16222A

Alt 700

rgb(16, 25, 31)

#10191F


Neutral palette


A simple neutral palette is used for copy and graphical elements, such as backgrounds and dividers.

Heading copy will typically be our Primary Alt 500.

A combination of greys are used for body copy, to indicate a disabled state and for backgrounds, dividers, and blocks.

White space is encouraged and white text over light images or darker colour blocks is also accepted.

To indicate success and danger we use green and red respectively.

Never use black.

White

rgb(255, 255, 255)

#FFFFFF

Background

rgb(250, 250, 250)

#FAFAFA

Divider

rgb(239, 239, 239)

#EFEFEF

Body light / disabled

rgb(204, 204, 204)

#CCCCCC

Body

rgb(153, 153, 153)

#999999

Danger

rgb(213, 0, 0)

#D50000

Success

rgb(0, 173, 70)

#00AD46


Please note: The RGB specifications in these guidelines are correct. Whilst every effort has been made to match to the CMYK and Pantone colours given, there is a possibility that varying results may occur. Please ensure that you match to the CMYK and Pantone colours specified; always ask your printer for a proof to ensure the colour has been matched correctly. The preferred method of printing is CMYK. Pantones should only ever be used if single print production is the only option. Large format ink-jet printers are often not colour calibrated. For this reason the printer should match to the Pantone colour and use the Pantone recommended CMYK breakdowns as a starting point. This rule applies to all of the colours.